I am a multidisciplinary artist whose work explores histories of enslavement, memory, and collective presence through textile-based sculpture and installation.

My artistic practice is grounded in stitching, weaving, beading, knotting, and assembling. Through these repetitive gestures, materials accumulate meaning over time, functioning as witnesses rather than illustrations. I approach making with the belief that artistic practice can operate as a form of care—one that allows difficult histories to be held rather than explained.

Much of my work engages archival records that document lives reduced to fragments within historical systems of power. Through sculptural installation and collaborative processes, I restore presence to those histories, creating spaces where memory, vulnerability, resilience, and joy can coexist.

Working with my hands becomes a way to slow time, attend closely, and honor what remains despite displacement, rupture, and erasure.