My artistic practice is grounded in stitching, weaving, beading, knotting, and assembling. These repetitive gestures allow materials to accumulate meaning over time, functioning as witnesses rather than illustrations. I work with the belief that artistic practice can operate as a form of love—one that allows difficult histories to be held rather than explained.

I make art to honor lives, histories, and experiences that have been reduced, fragmented, or rendered invisible. Through my practice, I create spaces where presence, vulnerability, memory, resilience, and joy can coexist. Working with my hands becomes a way to slow time, attend closely, and honor what remains despite displacement, rupture, and erasure.